The art direction was built from materiality. I curated the selection of papers, textures, and finishes, including a linen-bound cover and a circular die-cut “window” that offers a first glimpse into the book’s chromatic energy, and designed a page architecture featuring cut-outs, overlays, and color shifts that intuitively guide the reader. I also integrated special openings and trip inserts, triptych-style folds that expand to reveal selected artworks in layers, creating moments of surprise, pause, and rereading. The result is a tactile, contemplative publication, an editorial object that frames, conceals, and reveals again, an extension of Bonnin’s visual language and spatial thinking.